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Vous avez sélectionné:
Maestoso, from Symphony
Partitions à imprimer
12 partitions trouvées
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Finale and Maestoso from Organ Symphony No. 3 for Trombone Ensemble & opt. Timpani & Organ
Ensemble de Trombones
Small Ensemble Organ,Timpani,Trombone - Level 5 - Digital Download SKU: A0.810768 C…
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Small Ensemble Organ,Timpani,Trombone - Level 5 - Digital Download SKU: A0.810768 Composed by Saint-Saëns (Saint Saens), Camille. Arranged by Kempton, Jeremy Niles. Romantic Period. Score and parts. 26 pages. Gordon Cherry #2928571. Published by Gordon Cherry (A0.810768). The dramatic Finale and Maestoso from the Saint-Saens Organ Symphony No. 3 has been brilliantly arranged for 6-part Trombone Ensemble by Jeremy Niles Kempton. This 4 minute work is appropriate for advanced performers. Instrumentation is: 6 Trombones with optional Timpani and Organ
$35.00
32.67 €
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Ensemble de Trombones
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Saint-Saëns
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Kempton, Jeremy Niles
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Finale and Maestoso from Organ Symphony No. 3 for Trombone Ensemble & opt. Timpani & Organ
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Gordon Cherry
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SheetMusicPlus
Excerpt From Maestoso
Quatuor de Clarinettes: 4 clarinettes
Clarinet Quartet,Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download SKU: A0.7…
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download SKU: A0.738060 Composed by Camille Saint-Saens. Arranged by Fiona Hickie. Classical,Film/TV,Romantic Period,Wedding. 12 pages. Fiona Alice Hickie #4574941. Published by Fiona Alice Hickie (A0.738060). An excerpt from Maestoso from his 3rd Symphony. Here it has been arranged for clarinet quartet. This piece was also used in the movie Babe.
$12.00
11.2 €
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Quatuor de Clarinettes: 4 clarinettes
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Camille Saint-Saens
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Fiona Hickie
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Excerpt From Maestoso
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Fiona Alice Hickie
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SheetMusicPlus
Excerpt From Maestoso
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.7…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.738061 Composed by Camille Saint-Saens. Arranged by Fiona Hickie. Classical,Film/TV,Romantic Period,Wedding. Score and parts. 12 pages. Fiona Alice Hickie #4580323. Published by Fiona Alice Hickie (A0.738061). An excerpt from Maestoso from his 3rd Symphony. Here it has been arranged for string quartet. This piece was also used in the movie Babe.
$10.00
9.33 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Camille Saint-Saens
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Fiona Hickie
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Excerpt From Maestoso
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Fiona Alice Hickie
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SheetMusicPlus
Excerpt From Maestoso: Wind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.738056 Composed by Camille Saint Saen. Arranged by Fiona Hickie. Classical,Film/TV,Romantic Period,Standards,Wedding. 14 pages. Fiona Alice Hickie #4573815. Published by Fiona Alice Hickie (A0.738056). An excerpt from Maestoso from his 3rd Symphony. Here it has been arranged for wind quintet. This piece was also used in the movie Babe.
$12.00
11.2 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Camille Saint Saen
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Fiona Hickie
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Excerpt From Maestoso: Wind Quintet
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Fiona Alice Hickie
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SheetMusicPlus
Maestoso from Symphony No 3 (Camille Saint-Saens)
2 Guitares (duo)
Instrumental Duet Guitar,Instrumental Duet - Level 1 - Digital Download SKU: A0.947709
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Instrumental Duet Guitar,Instrumental Duet - Level 1 - Digital Download SKU: A0.947709 Composed by Camille Saint-Saens. Arranged by Blue Yates. Romantic Period,Standards. Score and parts. 2 pages. Blue Yates #4301193. Published by Blue Yates (A0.947709). Useful for students and teachers, this new arrangement works well as an ensemble piece for performance and study. Blue Yates arranges music for the independent Rekoba Editions imprint based in the UK. Please visit www.rekobaeditions.com for more details.
$2.00
1.87 €
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2 Guitares (duo)
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Camille Saint-Saens
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Blue Yates
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Maestoso from Symphony No 3
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Blue Yates
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SheetMusicPlus
Mvt. IIb. - Maestoso from Symphony No. 3
Ensemble de saxophones
Saxophone Ensemble,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Sopr…
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Saxophone Ensemble,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.824962 Composed by Camille Saint-Saens. Arranged by Gary Bricault. Romantic Period. 115 pages. Gary Bricault #4289317. Published by Gary Bricault (A0.824962). Arrangement for Saxophone Ensemble (Spn2S5A23T2BBs + Timp + Opt Organ). Performance time 8'09.
$19.99
18.66 €
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Ensemble de saxophones
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Camille Saint-Saens
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Gary Bricault
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Mvt. IIb. - Maestoso from Symphony No. 3
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Gary Bricault
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SheetMusicPlus
Symphony No. 3 in A minor, op. 17 (parts)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by Adrian Gagiu (A0.1357497). The orchestral parts of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale.The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's.The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material.The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins.Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
196.01 €
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Orchestre
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Adrian Gagiu
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Symphony No. 3 in A minor, op. 17
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Adrian Gagiu
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SheetMusicPlus
Maestoso and Fugue in D minor for String Orchestra - Based on Ludwig van Beethoven Unv 7 Hess 40 & O
Orchestre à Cordes
String Orchestra - Digital Download SKU: A0.933521 Composed by Ludwig van Beethoven…
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String Orchestra - Digital Download SKU: A0.933521 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Arranged by Upstream Music. Classical. Score and parts. 18 pages. Upstream Music #6353295. Published by Upstream Music (A0.933521). Both the Adagio molto (Hess 40) and the unfinished, originally intended Fugue date from November, 1817. It was the publisher Tobias Haslinger who requested a prelude and fugue for a publication in line with works published earlier. Beethoven completed the prelude but with the fugue he stopped after merely four bars of music. The short original fugue theme was later inserted into the second part (Molto vivace) of the Ninth Symphony (Opus 125).The prelude (Beethoven did not give any time indication) starts with 37 bars of solemn music followed by 12 bars Allegro. In terms of form, rhythm, and key, this material shows great similarity to the Molto vivace from Opus 125 referred to above. The present version has been arranged for a string orchestra instead of for a string quintet, thus being the first publication which enables it to be performed in its entirety. In order to balance the foundation, I opted for introducing a contrabass part, which largely follows the cello part composed by Beethoven. As regards the phrasing, dynamics, and rests as well as the time indication, this publication follows those in Willy Hessâ publication. So the prescribed time âAdagio moltoâ is not that of Beethoven himself.The arguments to link the Maestoso to the Fugue in D major (Opus 137) published later are multiple. In the first place, the Fugue also dates from 1817. Secondly, the key is the same as is the number of instruments for a string quintet with two separate alto parts. Not only does the original fugue theme start at the tone a, but the timing too is the same, that is 3/8. So it seems reasonable to assume that Beethoven intended both works as a couple.The abnormal rhythmics of the bars 38 up to and including 49 is remarkable. I have preserved it because the part has been authentically composed by Beethoven, while it did not seem logical to me to have it immediately followed by the Fugue completed by myself. I have composed a number of bars of music based on the beginning of the prelude by way of a smooth transition.In the Fugue, I closely adhere to Beethoven, at the same time introducing a contrabass part here as well, so as to support the cello. At a number of places in the score, Beethoven recorded neither music nor rests. This refers to the bars 5 (second viola and cello), 11, 12, 25 and 26 (first and second violins), 39 to 41 (all parts), 43 and 44 (all parts except the first violin), 45 (first viola) and finally 45 and 46 (second violin). As in Willy Hessâ publication, I have just inserted rests here.
$29.00
27.07 €
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Orchestre à Cordes
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Ludwig van Beethoven, Cees Nieuwenhuizen
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Upstream Music
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Maestoso and Fugue in D minor for String Orchestra - Based on Ludwig van Beethoven Unv 7 Hess 40 & O
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Upstream Music
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SheetMusicPlus
Symphony No. 3 in A minor, op. 17
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by Adrian Gagiu (A0.1356636). The score, parts and vocal score of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale. The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's. The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material. The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins. Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
196.01 €
#
Orchestre
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Adrian Gagiu
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Symphony No. 3 in A minor, op. 17
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Adrian Gagiu
#
SheetMusicPlus
Chorale Theme from the Organ Symphony (No.3, Op.78) - brass ensemble
Ensemble de cuivres
Brass Ensemble - Level 5 - Digital Download SKU: A0.564262 Composed by Camille Sain…
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Brass Ensemble - Level 5 - Digital Download SKU: A0.564262 Composed by Camille Saint-Saens. Arranged by Austin Ralphson. Romantic Period,Standards,Wedding. Score and parts. 23 pages. Austin Ralphson #6355851. Published by Austin Ralphson (A0.564262). Saint-Saensâ 3rd Symphony features a chorale tune as a basis for the final movement, and the way this tune has been treated produces a fantastic, grand sound at the end of the piece. This arrangement for brass choir and optional percussion aspires to maintain the Maestoso grandeur of the original.
$14.99
13.99 €
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Ensemble de cuivres
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Camille Saint-Saens
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Austin Ralphson
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Chorale Theme from the Organ Symphony
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Austin Ralphson
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SheetMusicPlus
Wedding Classics for Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.720659 Composed by Various. Arranged by Ralph Raymond Hays. Contemporary,Easter,Sacred,Wedding. 88 pages. Ralph Raymond Hays #5042789. Published by Ralph Raymond Hays (A0.720659). This exquisite folio is comprised of masterworks by Wagner, Pachelbel, Bach, Clarke, Purcell, Schubert, Mozart, Handel, Beethoven, and Mendelssohn, expertly re-crafted in chamber form to provide classic grace and charm to a traditional wedding, church service, or chamber recital.CONTENTS:BRIDAL CHORUS from Lohengrin RICHARD WAGNERCANON IN D JOHANN PACHELBELJESU, JOY OF MAN'S DESIRING JOHANN SEBASTIAN BACHTRUMPET VOLUNTARY JEREMIAH CLARKETRUMPET TUNE AND AIR HENRY PURCELLAVE MARIA FRANZ SCHUBERTAVE VERUM CORPUS WOLFGANG AMADEUS MOZARTALLEGRO MAESTOSO from Water Music GEORG FREDERIC HANDELODE TO JOY from Symphony No. 9 LUDWIG von BEETHOVENWEDDING MARCH FELIX MENDELSSOHNfrom Music for a Midsummer Night's Dream
$34.50
32.2 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Various
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Ralph Raymond Hays
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Wedding Classics for Woodwind Quintet
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Ralph Raymond Hays
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SheetMusicPlus
Maestoso, from Symphony #3 "Organ"
Orchestre
Organ, Brass Quintet, Timpani, (2 B-flat (or C) Trumpets, Horn, Trombone, Tuba and Organ, …
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Organ, Brass Quintet, Timpani, (2 B-flat (or C) Trumpets, Horn, Trombone, Tuba and Organ, with optional Timpani, Cymbal and Piano parts) - Advanced Intermediate - Digital Download Composed by Camille Saint-Saens (1835-1921). Arranged by Craig Garner. Romantic Period, General Worship. Score, Set of Parts. 63 pages. Published by Dorm 40 Music
$25.00
23.33 €
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Orchestre
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Camille Saint-Saens
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Craig Garner
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Maestoso, from Symphony #3 "Organ"
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Dorm 40 Music
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SheetMusicPlus
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